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Gustave Charpentier (; Dieuze, Moselle, 25 June 1860 – 18 February 1956, Paris) was a French composer, best known for his opera ''Louise''.〔Langham Smith R., "Gustave Charpentier", ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997.〕 ==Life and career== Charpentier was the son of a baker, and with the assistance of a rich benefactor he studied violin at the conservatoire in Lille before entering the Paris Conservatoire in 1881. There he took lessons in composition under Jules Massenet (from 1885) and had a reputation of wanting to shock his professors. In 1887 he won the Prix de Rome for his cantata ''Didon''.〔 During the time in Rome that the prize gave him, he wrote the orchestral suite ''Impressions d'Italie'' and began work on the libretto and music for what would become his best-known work, the opera ''Louise''. Charpentier returned to Paris, settling in Montmartre, and continued to compose, including songs on texts by Charles Baudelaire and Voltaire. He eventually completed ''Louise'', and it was accepted for production by the Opéra-Comique. A realistic portrait of Parisian working-class life, it is sometimes considered a French example of ''verismo'' opera. The premiere of ''Louise'' on 2 February 1900 under the baton of André Messager was an immediate success. Soon this work was being performed all over Europe and America, and it brought Charpentier much acclaim. It also launched the career of the Scottish soprano Mary Garden, who took over the title role during an early performance. In late 1935 the composer supervised the abridged score used in a studio recording of around 70 minutes of the opera, conducted by Eugène Bigot.〔Potter T., Notes for the Naxos "Great Opera Recordings" CD re-issue of the 1935 recording, 2003.〕 A film adaptation of the work followed in 1939 with Grace Moore in the title role. At the revival of ''Louise'' at the Opéra-Comique on 28 February 1950, celebrating the 50th anniversary of its creation and the 90th birthday of its composer, it was hoped that Charpentier himself might conduct the performance, but André Cluytens did so, with the composer conducting the 'Chant de l’apothéose' after the 3rd Act.〔Baeck E., ''André Cluytens: Itinéraire d’un chef d’orchestre.'' Editions Mardaga, Wavre, 2009.〕 ''Louise'' is still occasionally performed today, with the soprano aria "Depuis le jour" a popular recital piece. In 1902, Charpentier founded the Conservatoire Populaire Mimi Pinson, intended to provide a free artistic education to Paris's working girls. However, he became unproductive as a composer. He worked on a sequel to ''Louise'', ''Julien, ou la vie d'un poète'', but it was quickly forgotten after its tepidly received 1913 premiere. For the rest of his extremely long life, Charpentier wrote hardly any further music. He was, nevertheless, no recluse. During World War I, he started the Œuvre de Mimi Pinson and Cocarde de Mimi Pinson to aid wounded soldiers. He was awarded the Légion d'honneur in 1900, became a Commandeur in 1930, and a Grand Officier in 1950.〔Orledge R., "Gustave Charpentier", ''The New Grove Dictionary of Music.'' Macmillan, London and New York, 2001.〕 In 1934, he conducted a recording of his ''Impressions d'Italie'' with a Paris symphony orchestra.〔Re-issued on VAI1075, 1994.〕 Charpentier's brother Victor (also born Dieuze, on 23 July 1867) was a cellist in the orchestra of the Paris Opera and later a conductor of popular symphony concerts in Paris.〔''Cinquante Ans de Musique Française de 1874 à 1925.'' Les Éditions Musicales de la Librairie de France, Paris, 1925.〕 In 1931 Marc Delmas published a biography of Charpentier entitled ''Gustave Charpentier et le Lyrisme Francais''. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Gustave Charpentier」の詳細全文を読む スポンサード リンク
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